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The Way He Made Us Feel: A Michael Jackson Roundup
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To write about Michael Jackson is to write about so many things at once: race, gender, sex, fame, money, music, dance, childhood, child abuse, aging, the media, the law. America, really. Maybe that’s why his death has prompted such an outburst of good writing. Tomorrow will mark one week since Jackson’s death; by the pitiless clock of the news cycle, we should be done thinking about him already. But a lot of smart people are just getting started.
Some of the best stuff I’ve seen on Jackson has appeared in the most unexpected places. Of course you’re going to turn to
Robert Christgau
on Michael Jackson, or
Ann Powers
, or
Greg Tate
, or
Slate
’s own
Jody Rosen
(as well you should; all four have written powerfully on the Jackson enigma). But who would have expected to find James Wolcott
recounting
his attempts to learn the moonwalk? (“My heel caught on a cat toy […] and I found myself reeling backward like Martin Balsam on the staircase in
Psycho
.”) Roger Ebert, on his indispensable
Chicago Sun-Times
blog
(it's not just about movies, and the man responds to reader comments with the promptness and energy of a 24-year-old blogger with nothing else to do),
relates
the experiences of his wife, who as a young dancer once opened for the Jackson 5. Joe Posnanski, a sportswriter for the Kansas City Star, interrupted his vacation to write a
fantastic blog post
about the inescapability of Jackson’s music in the early 80s. And a guy named Bob Rossney, who maintains a seldom-updated blog called “Koax! Koax! Koax!,” wrote perhaps the best thing I’ve read on the
unfathomable sadness
of Jackson’s personal life.
David Gates’ remembrance in
Newsweek
contains one image I can’t shake; recalling the wraithlike backup- dancing zombies in the “Thriller” video, he
writes
: “When you watch it today, it appears to be a whole stage full of Michael Jacksons, the real one now the least familiar-looking, the most unreal of all.” (
Newsweek
’s photo spread opens with a shot of the
Jeff Koons sculpture
of Michael and his pet chimp Bubbles, which now looks like the
Pietà
of the 1980s.) And (I swear this isn’t just logrolling for a colleague and friend) the first piece of Jackson writing to make me cry was Stephen Metcalf’s trenchant and stunningly written
reflection
on this blog.
Then there’s the experience of coming across things written long before Jackson’s death that, if they were creepy before, seem positively frightening now. In 1983, a 24-year-old Jackson granted a rare
interview
to the
Guardian
(insisting, as he often did, that all questions be filtered through his then-teenage sister, Janet), in which he gushed about his love for children: “I feel I'm Peter Pan as well as Methuselah, and a child. ... Thank God for children. They save me every time!”
Slate
’s Farhad Manjoo, then writing for Salon, reported on Jackson’s 2005 child-molestation trial in
chilling detail
. Seth Stevenson’s
dispatches
from that same trial are a glimpse of the macabre spectacle Jackson’s late life had become. (In ’06, Seth also compiled a
video roundup
of red-flag moments from early Jackson videos.)
Brow Beat readers, what are your favorite pieces of writing (or tributes in other media) that you’ve seen about MJ? Send links to SlateBrowBeat@gmail.com. (And thanks to the
Twitter followers
who responded to my call by suggesting some of the great links above.)
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